STIMMUNG

My painting wants to eliminate any coloristic reference, blast the palette in favor of a single color, totalizing and catalyst, black, which appears in a series of different colors only in relation to the amount of pigment that remains on the bottom surface at the pressure that it raises or leaves it, the only concrete action. The rest develops on the plane of ideas, exists only in thought; In this is a conceptual art, a score of light-not light, full-not full, timeless.