UNDER CONSTRUCTION (installation view no. 01)
2016 Site specific installation with twelve completed individual artworks as its parts (one painting and eleven sculptural collages), Hinged panel doors, Acrylic paints, Threads, Nails and Black artist tape approximately 17 FT (L) by 17 FT (W) by 19 FT (H) site specific installation at Soomdo Art Space, Seoul, KR, October 11-31, 2016
UNDER CONSTRUCTION (installation view no. 02)
2016 Site specific installation with twelve completed individual artworks as its parts (one painting and eleven sculptural collages), Hinged panel doors, Acrylic paints, Threads, Nails and Black artist tape approximately 17 FT (L) by 17 FT (W) by 19 FT (H) site specific installation at Soomdo Art Space, Seoul, KR, October 11-31, 2016
UNDER CONSTRUCTION collage no. 05 (installation view no. 03)
2016 Variety of grid sections drawn with Archival Ink on Mylar and Bristol paper, Pieces of C-print Photos taken in different parts of New York City, Head Pins, Foam Core Board, and Clear Acrylic Box 5 inch by 5 inch site specific installation at Soomdo Art Space, Seoul, KR, October 11-31, 2016
UNDER CONSTRUCTION (installation view no. 04)
2016 Site specific installation with twelve completed individual artworks as its parts (one painting and eleven sculptural collages), Hinged panel doors, Acrylic paints, Threads, Nails and Black artist tape approximately 17 FT (L) by 17 FT (W) by 19 FT (H) site specific installation at Soomdo Art Space, Seoul, KR, October 11-31, 2016
UNDER CONSTRUCTION
Two projects, OPEN-ENDED and UNDER CONSTRUCTION, address the contemporary experience of living constantly within urban grids. They are decompositions of cityscapes, bringing the vulnerable skeleton of the city to the surface. These installations are geometric-abstract paintings realized in spaces and installations with completed artworks as their parts. The individual paintings in the installations are blueprints, and the installations are realizations of the blueprints in spaces. They are low-tech interactive installations.
On entering the installations, viewers are invited to experience three conditions:
1) that the individual paintings and segments of the installation are autonomous entities in themselves, and simultaneously exist as part of and reflective of the installation as a whole;
2) that by entering the installation, the viewer also retains his/her individual nature while becoming part of the installation as a whole; and
3) that because of the nature of the individual segments, being reflective of the installation as a whole, the viewer is metaphorically entering each segment simultaneously, illustrating that the first two conditions are experienced in multiple layers at once.
Within the installations, the relationship between the segments and the wholeness is open-ended, continuously under construction.
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