Study after George Bellows' boxers fighting scene
As a painter of the human figure I was immediately captured by the unusual pose of boxers , respectively static tension and dynamic tension and by the grotesque faces and caricatures of the crowd in Daumier style, which I turned into passive and vicious spectators.
My study clearly loose the original work's political aims while it proposes an evocative and existential interpretation of the expressive power of the human figure .
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