Untitled
The work on paper is a sort of manuscript whose surface is woven by the archival time of gestures such as drawing, carving, sanding, erasing and looking. I enjoy the quiet materiality made out of such repetitive process. I often work onto a notebook sized paper laid on a table as if writing rather than painting. I look for a congruous condition where the drawing elements – point, line and face – meet one another making their own narratives.
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