Crossings time
Installation, Philosophy, 60x80x3cm
________________________________________________________________________________________________________________________________________CROSSINGS TIME
When dealing “Crossings time”, whenever I happen to look at her, I lose, I lose myself again. I'm gonna lines, I get confused. The serial nature of these chromatic passages, between the white and blue, it makes me "move" and think of other places. It is not the space I see, in fact, to be interested, but that's what the painting suggests to me that attracts me.
Maybe subconsciously they tend to justify, almost, the presence of the void that characterizes this stage of my research.
The two characters on the left, too, are there to justify the void, but they seem to run away. There are, but they're leaving do not know where, just to escape. I put them there because escape from a position, from the empty life and always the same, made by actions and things that recur every day, always in the same way that many lead.
Crossings time, the search for balance beyond the canvas, even in nothing, perhaps.
When dealing “Crossings time”, whenever I happen to look at her, I lose, I lose myself again. I'm gonna lines, I get confused. The serial nature of these chromatic passages, between the white and blue, it makes me "move" and think of other places. It is not the space I see, in fact, to be interested, but that's what the painting suggests to me that attracts me.
Maybe subconsciously they tend to justify, almost, the presence of the void that characterizes this stage of my research.
The two characters on the left, too, are there to justify the void, but they seem to run away. There are, but they're leaving do not know where, just to escape. I put them there because escape from a position, from the empty life and always the same, made by actions and things that recur every day, always in the same way that many lead.
Crossings time, the search for balance beyond the canvas, even in nothing, perhaps.
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