Stanza #9
This painting is part of a bodywork called "Rooms", focused on possibilities of painting to escape from representation. The work represent a perspective vision which references are uncertain. It coul
be an open space as well as close, it coul be some gaps or maybe they're just stains? Inside the painting appear evocative elements which could remind nature, architecture, human body, some
wood and wall pattern. Or maybe they're just painting.
Painting's great alchemic power, as teaches Elkins James in his book "Pittura cos'è", generates a kind of perceptual short-circuit, in wich spectator explores the surface finding some evocative
clues that however don't give a univocal reply.
Rooms are a place that best accomodates this perceptual game because they are a neutral place and polyvalent, opened to infitite possibilities, subconscious as well as Freud's mind rooms.
be an open space as well as close, it coul be some gaps or maybe they're just stains? Inside the painting appear evocative elements which could remind nature, architecture, human body, some
wood and wall pattern. Or maybe they're just painting.
Painting's great alchemic power, as teaches Elkins James in his book "Pittura cos'è", generates a kind of perceptual short-circuit, in wich spectator explores the surface finding some evocative
clues that however don't give a univocal reply.
Rooms are a place that best accomodates this perceptual game because they are a neutral place and polyvalent, opened to infitite possibilities, subconscious as well as Freud's mind rooms.
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