Trilogia

Overcoming the imposing square "Suprematist" of Malevick, shapes and colors absolute is accomplished through words and dialogue between the various agents.
The photographic rectangle conveys a worldview open to dialogue and becomes an instrument of reflection and definition of reality is not simulated but most probably already present in the viewer.
Trace of a performance that already lived in the wake of expressionism French and then American restores a sense of the artistic experience.
                                                                                                                                                ©Tiziano Vele

N.B. Work filed with the "OLAF Section" (SIAE). rights Reserved