Triangoli &-K 21
TRIANGLES - DI LUIGI COLA
"ANGLES & TRIANGLES - OPEN & CLOSED - IN & OUT OF THINGS"
Universally the symbolism of the triangle is present in all of human history, from the Palaeolithic to the present day. It becomes, in its representation, manifestation of the primordial return to unity. Reflects, mainly, is the idea of ​​the divinity and the idea of ​​man's ascent towards the divine transcendence, universal, osmosis protection of Divine love for humanity and the nature of the meeting of the microcosm with the macrocosm and vice versa. According to the peculiar interpretation, the order of the closed figures, the triangle is between the circle and the square, from which one can infer that it represents an intermediate entity between the substance almost abstract, or spiritual, and the material rather than falling back below our senses. Several readings conceal this series of paintings in which the constant depiction of the triangle, geometric figure closely equated to the numbering of the three becomes a deep research and study in the areas of its slopes as an opportunity for reflection on the different contrasts emotional-rational often feel that emerge from the corners deepest and most complex of the emotional sphere.
"ANGLES & TRIANGLES - OPEN & CLOSED - IN & OUT OF THINGS"
Universally the symbolism of the triangle is present in all of human history, from the Palaeolithic to the present day. It becomes, in its representation, manifestation of the primordial return to unity. Reflects, mainly, is the idea of ​​the divinity and the idea of ​​man's ascent towards the divine transcendence, universal, osmosis protection of Divine love for humanity and the nature of the meeting of the microcosm with the macrocosm and vice versa. According to the peculiar interpretation, the order of the closed figures, the triangle is between the circle and the square, from which one can infer that it represents an intermediate entity between the substance almost abstract, or spiritual, and the material rather than falling back below our senses. Several readings conceal this series of paintings in which the constant depiction of the triangle, geometric figure closely equated to the numbering of the three becomes a deep research and study in the areas of its slopes as an opportunity for reflection on the different contrasts emotional-rational often feel that emerge from the corners deepest and most complex of the emotional sphere.
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