A Kiss

A move in the opposite direction to previous works and thinking in white. The form has been photographed using a methodology that reduces the detail in the image. In camera, the image was correctly exposed, but the latent image held within the light sensitive hallides on the films surface, has been subsequently 'burned' out by a secondary exposure to a photographic colour card. I've given a slightly confusing explanation as the process is secondary to the work and the resulting image is delicate perhaps even sublime.

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