Stretchnpullasitic

In white painting, lights and shadows play an important role in my work. Even a few other artists would agree to that but created for a different purpose. Ronald Bloor, a Canadian artist referred to his works as “symbol-like elements”, greatly influenced by architectural forms; Robert Rauschenberg’s purpose was to reduce painting to its most essential nature and lead to the possibility of pure experience; and Robert Ryman, known as a “realist”, is not interested in creating illusions, a picture or making reference to anything except the paint and the materials. Because my perception of sound is vastly inadequate, I am adapted to reading lips and body gestures at ease. Therefore, I consider my paintings as a practical visual training tool to help viewers see a different variety of movements from just white paint. It is an advantage to improve each others’ comprehension when socializing and know what the other person is truly feeling. From colors to no color to pure action, my creativity is brought out from within, retained from my own personal experiences, deafness and body movements that I observed.