n times of a general dwindling of subjects, of the forfeiture of the political sphere, of a million protests slipping into insignificance, more precisely – the loss of political subjects in the public sphere, we the protagonists want to stage political players in a naturalistic, realistic pose. We want to turn around the vulgarisation of the political (sphere) and the transparency imposed on us by discourses of power – such as security and freedom – and direct it back to the most important political actors. After – particulary in our latitudes – the private (sphere) of all individuals has become the main theme of the media and each and everyone today can enjoy his or her 15 minutes of “Warholistic” fame. We choose to turn this very media reflex, this voyeuristic gaze, into a widely received event.
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