“The urban landscapes of Chiara Smirne are symbols of memories of life, of existential awkwardness, mirrors of anxieties, full of apparent gratification but lacking sentiments and values, where a lost humanity is always present with appearances and absences. The artist puts on a surreal show. The urban glances are like theatrical or cinematographic set designs, artificial architectures showing the emptiness and inconsistency of man-made fictions. Existence, human life in which the presence and the breath are felt, but are often not seen, sometimes glimpsed or which take on forms recalling “man”, but which are not human: this is the case in works like L’attesa in which we presume there are people, but in the paintings only mannequins appear…” (taken from the text of Veronica Riva)
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