memoria 3
Here the opposite sets out, the image appears completely stumped leaving only a quadrant like detail that robs all the attention.
Thus in the sequence it is revealed the totality of the photography, slowing down the process of encounter of the spectator with the work, being possible to perceive it in its totality only in the memory of the spectator within an indetermined process of visual reconstruction.
This process mimics what is happening with our native indian people.
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