Beaming II
Photographer of the night, of the subconcious. I weave my Photographs using time and light
as raw materials. In my long time exposures, I walk with different torches in the photo, painting the
scene with light, whereas the camera is used as a recording device. Human being, nature and city, drawing
again and again a triangle causing tension, where natural and urban structures struggle to gain the control
over each other, and human beings as a part of the struggle, adapting, refusing, questioning. Can photography
show the reality? In which terms? People taken from the city and beamed back to the nature. Do they
feel at home or lost? Asking questions from a contemporary perspective: What are the people of the 21st century longing for? A more natural life? More romantism? More control over the nature? Apocalypse? What do we miss?
as raw materials. In my long time exposures, I walk with different torches in the photo, painting the
scene with light, whereas the camera is used as a recording device. Human being, nature and city, drawing
again and again a triangle causing tension, where natural and urban structures struggle to gain the control
over each other, and human beings as a part of the struggle, adapting, refusing, questioning. Can photography
show the reality? In which terms? People taken from the city and beamed back to the nature. Do they
feel at home or lost? Asking questions from a contemporary perspective: What are the people of the 21st century longing for? A more natural life? More romantism? More control over the nature? Apocalypse? What do we miss?
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