Irene Garino – Non nevica più su Torino
Representation of the main theme of the artist: the crane.
Painting is part of the series "The City and its Crosses".
There are no windows, there is no nature, shop or whatever.
The buildings are stacked next to each other, as simple concrete blocks, they are the same individuals who live in this place static and suspended.
The undisputed protagonist is the crane. emerge above the buildings like a goddess.
The palaces as tombstones and crosses Crane as of this cemetery - city, inhabited by human ghosts that lurk necessarily crushed by the imposing of an unnatural habitat.
Crane understood as deities town.
Its shape is perfectly balanced, its vertical arm stretches skyward and momentum.
The horizontal arm stabilizes the rise and order, supported by oblique lines of chaos, a fundamental ingredient for a good balance.
Elements are present in the ideal of Greek art, the crane can remember the pediment of the Pantheon, but it is the symbol of our times, in which the city is ever changing and construction ... now we surmounts.
artwork painted by Irene Garino, of property of the Roberta Smedili Association in exposition for the realization of the fifth edition of sorriso di Roberta per l’UNICEF - Project " Fight against maternal and infant mortality in Afghanistan” to be held in Milazzo (ME) 24 to 27 May 2013.
Painting is part of the series "The City and its Crosses".
There are no windows, there is no nature, shop or whatever.
The buildings are stacked next to each other, as simple concrete blocks, they are the same individuals who live in this place static and suspended.
The undisputed protagonist is the crane. emerge above the buildings like a goddess.
The palaces as tombstones and crosses Crane as of this cemetery - city, inhabited by human ghosts that lurk necessarily crushed by the imposing of an unnatural habitat.
Crane understood as deities town.
Its shape is perfectly balanced, its vertical arm stretches skyward and momentum.
The horizontal arm stabilizes the rise and order, supported by oblique lines of chaos, a fundamental ingredient for a good balance.
Elements are present in the ideal of Greek art, the crane can remember the pediment of the Pantheon, but it is the symbol of our times, in which the city is ever changing and construction ... now we surmounts.
artwork painted by Irene Garino, of property of the Roberta Smedili Association in exposition for the realization of the fifth edition of sorriso di Roberta per l’UNICEF - Project " Fight against maternal and infant mortality in Afghanistan” to be held in Milazzo (ME) 24 to 27 May 2013.
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