Bride to Be 5
Painting, Human figure, Oil, 60x50cm
The work proposed here are aimed to delineate claiming the thin line that binds the identity and memory, living with a constant feeling of familiarity and strangeness.
Considering memory as a form of selective memory in relation to whom are the various forms of collective identity, we get to perceive this not as a simple record of the past, but as a representation of it obtained by the remembrance on the one hand and the 'neglect the other. Following this consideration, the work can be found in different types of elements from various cultures. This is partly true, it is rather the result of mutual recognition process, through which the viewer infers the shapes within the scope of their most common derivation, proving irrefutably that the memory is not only memory but also oblivion. Elements that are recognized as belonging to different cultures, are not in fact incorporated in their form as such, but in that which they commonly refer or simply one in which we usually see them.
Considering memory as a form of selective memory in relation to whom are the various forms of collective identity, we get to perceive this not as a simple record of the past, but as a representation of it obtained by the remembrance on the one hand and the 'neglect the other. Following this consideration, the work can be found in different types of elements from various cultures. This is partly true, it is rather the result of mutual recognition process, through which the viewer infers the shapes within the scope of their most common derivation, proving irrefutably that the memory is not only memory but also oblivion. Elements that are recognized as belonging to different cultures, are not in fact incorporated in their form as such, but in that which they commonly refer or simply one in which we usually see them.
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