quercia staffolo

quercia staffolo

Painting, Plants , Plants , Mixed technique, 80x120x3cm
Technology and tradition: manual, analog and digital
I start from a careful study through drawing, and then proceeds to a thorough search photographic subjects captured by digital means or analagico are in order, drawn to the pc.
The paintings, therefore, stems from a search operation that it is structured in phases, in fact, leads me to the creation of true works of art and unique irrièetibili seen the technical complexity of implementation.

The works have as a prop fundamental theoretical awareness of the symbiotic relationship between Man and Nature.
Therefore, every tree embodies a person closely, establishing CPSI, a symbiotic relationship with it, allowing to establish a parallelism such that as the individual is the individual tree, so the company (group of individuals, mass) corresponds to the "forest ".

Thus, the '"One Tree" is like' "One person" and therefore, the welfare and human health is interdependent with those games under the trees.
Further theoretical suggestions that led me to handle so deeply symbolic aspects - existential trees, are surely the homeopathic theories, for which certain trees is just a given a character profile, the symbolic function of transition - transformation, which rises the 'tree falls in which Lewis Carroll's Alice, the importance of arboreal creatures in ancient cultures such as Celtic, and more generally, in many cultural traditions and literature (Dante, Pier delle Vigne, the tree of good and evil Adam and Eve, Tolkien, The Lord of the Rings).

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