In urban shadows the shapes defined by the drawing may always be considered as in progress.They break up, interact with each others, become the plot of a story as in film frames, where every single image has a life of its own, but is also part of the sequence. This work is a medition on the unceasing mutability of the environment through changes in shadows, wich imperceptibly but inexrably change. This is the inevitable sign of the passage of time
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